Geography extends the conceptual enquiry of Habitat onto paper. Derived from the contours and spatial tensions of the original sculpture, the work shifts focus from digital and constructed environments toward the natural and universal systems within which humans exist.

The work considers the population as part of a larger ecological structure, approaching human behaviour as responsive to surrounding conditions, much as plant life responds to light, chemicals, and environmental change. In this reading, the self is not separate from nature, but continuously shaped by the forces it absorbs.

Through ink and paint, Geography reflects on the interconnectedness between the collective body, the planet, and the wider systems that govern growth and adaptation.